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On Another Green World, Eno became what he called a "non-musician", claiming his medium to be the manipulation of sounds and instruments through synthesizers and the recording studio. It's refreshing to hear a few notes, but right, rather than the many, many, many that are wrong from most musicians of my acquaintance." " Brian doesn't really have a strong musical background in terms of the craft of music but he does have a perception of what's right that very, very few musicians have. Robert Fripp, one of the guitarists on Another Green World, says: No longer the decadent artist, he had become a philosopher. His first solo recordings, Here Come The Warm Jets and Taking Tiger Mountain (By Strategy), employed an all-star cast of musicians playing songs that ranged from whimsical to demonic.īy 1975's Another Green World, Eno had changed again. That person left Roxy Music after their second album and embarked on a solo career that has been nothing if not diverse. He has a very extreme mix of the possibilities that make me.
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"I still recognise some of that person, but the emphasis has shifted. I think of myself like a forty-eight-track tape where the mix is always being adjusted within me. "There are so many voices in you all the time, and circumstance calls one of those people to the fore. "Nearly everything I did before last week seems like it was done by another person", says Eno with bemused detachment. One famous photograph of the era depicts surrealist painter Salvador Dali having tea with an androgynous Eno, in make-up and shoulder-length hair - the epitome of A Clockwork Orange decadence.ĭrinking tea in his management offices it's difficult to believe this charming, articulate man is the one who snarled the lyrics to Needle In The Camel's Eye, Dead Finks Don't Talk and Baby's On Fire, from his first album, Here Come The Warm Jets. As an original member of Roxy Music he extolled sexual ambiguity and future shock, making music for Orwell's 1984 in 1972. In the last sixteen years he's cut a swathe across most major trends in music. Eno organises elements of minimalism, rock and electronics into his own perception of music. As well as his own "ambient" music, he's produced the avant-garde recordings of John Adams, Michael Nyman and Gavin Bryars, and the new wave of Ultravox and Devo. But producing hit records isn't what makes Eno one of the most compelling figures in music today.īrian Eno is a new kind of musician treating technology with philosophy: sounds as music. Those don't sound like the words of your average Top 10 record producer, and in many ways they aren't, although Brian Eno has certainly produced his share of popular albums, including two by U2, three by Talking Heads and a few by David Bowie.
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"The question, 'What does it mean?' really asks, 'What does it symbolise?' Well, my notion is that art does something, not that it means something. Musician, producer or philosopher? Brian Eno's involvement in music spans all three, from his successful production of artists like David Bowie and U2 to the introspection of a very serious composer. Music Technology FEBRUARY 1988 - by John Diliberto
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